# 2023 National Film Registry inductees with LOC descriptions
# Source: https://newsroom.loc.gov/news/25-films-selected-for-preservation-in-national-film-registry/s/aa4bef48-95f6-486f-882d-110613633b1e

NFR_2023 = {
    "A Movie Trip Through Filmland": {
        "year": 1921,
        "description": "Educational film about motion picture film stock production and cinema's global impact, shot at Kodak Park in Rochester, New York."
    },
    "Dinner at Eight": {
        "year": 1933,
        "description": "Pre-Code ensemble comedy-drama directed by George Cukor featuring an all-star cast in a high society setting adapted from a stage play."
    },
    "Bohulano Family Film Collection": {
        "year": 1950,
        "description": "Home movies documenting Filipino American community life in Stockton, California over 20 years, including family events and cultural gatherings."
    },
    "Helen Keller in Her Story": {
        "year": 1954,
        "description": "Academy Award-winning documentary using news footage, photographs, and interviews to chronicle Helen Keller's life from birth through her 70s."
    },
    "Lady and the Tramp": {
        "year": 1955,
        "description": "Animated love story between a cocker spaniel and a mutt, notable for technological innovation in CinemaScope release and memorable voice performances."
    },
    "Edge of the City": {
        "year": 1957,
        "description": "Psychological drama featuring John Cassavetes and Sidney Poitier about railroad workers, adapted from television drama emphasizing racial brotherhood."
    },
    "We're Alive": {
        "year": 1974,
        "description": "Documentary resulting from video workshops at California Institution for Women, capturing incarcerated participants discussing prison dehumanization and reform."
    },
    "Cruisin' J-Town": {
        "year": 1975,
        "description": "Documentary about jazz fusion band Hiroshima, documenting their artistic identity, Little Tokyo roots, and Asian American community influence in early 1970s LA."
    },
    "¡Alambrista!": {
        "year": 1977,
        "description": "Low-budget film shot documentary-style about a Mexican migrant laborer in the US, called the 'first and arguably best rendering of the Mexican American diaspora story.'"
    },
    "Passing Through": {
        "year": 1977,
        "description": "LA Rebellion film about a jazz artist released from prison who seeks artistic integrity and cultural preservation outside corporate music industry control."
    },
    "Fame": {
        "year": 1980,
        "description": "Musical drama following students at New York's High School of Performing Arts, influencing 1980s musicals with stylistic music video-like sequences."
    },
    "Desperately Seeking Susan": {
        "year": 1985,
        "description": "Hip screwball comedy involving personal ads and mistaken identity, serving as historical snapshot of 1980s New York City fashion, music, and Madonna's cultural presence."
    },
    "The Lighted Field": {
        "year": 1987,
        "description": "Avant-garde experimental work combining archival imagery with urban and domestic images, exploring themes of light, shadow, vitality, and mortality."
    },
    "Matewan": {
        "year": 1987,
        "description": "Historical drama depicting 1920 West Virginia coal mining unionization efforts, examining collective nonviolence against exploitation within individualistic culture."
    },
    "Home Alone": {
        "year": 1990,
        "description": "Holiday mega-hit starring Macaulay Culkin about a youngster using creativity and wit to defeat burglars while home alone at Christmas, becoming cultural classic."
    },
    "Queen of Diamonds": {
        "year": 1991,
        "description": "Experimental film by Nina Menkes set in Las Vegas, using extended silences and long takes to convey a blackjack dealer's solitary desert existence."
    },
    "Terminator 2: Judgment Day": {
        "year": 1991,
        "description": "Science fiction sequel retaining original virtues while adding nuanced characters, cutting-edge special effects, and marked transition from practical to CGI effects."
    },
    "The Nightmare Before Christmas": {
        "year": 1993,
        "description": "Stop-motion animated film conceived and produced by Tim Burton about Halloween Town's king bringing Christmas magic, becoming both holiday and Halloween tradition."
    },
    "The Wedding Banquet": {
        "year": 1993,
        "description": "Ground-breaking romantic comedy exploring cultural clashes between East and West when a gay Taiwanese American arranges marriage to satisfy traditional parents."
    },
    "Maya Lin: A Strong Clear Vision": {
        "year": 1994,
        "description": "Oscar-winning documentary by Freida Lee Mock about architect Maya Lin, exploring her Vietnam Veterans Memorial design and themes of artistic freedom and public art."
    },
    "Apollo 13": {
        "year": 1995,
        "description": "Meticulous, emotional retelling of the near-tragic 1970 space mission blending skillful editing, special effects, and masterful pacing of technological problem-solving."
    },
    "Bamboozled": {
        "year": 2000,
        "description": "Spike Lee satire exposing hypocrisy about an African American TV executive proposing racist blackface minstrel show that unexpectedly becomes hit, sparking outrage."
    },
    "Love & Basketball": {
        "year": 2000,
        "description": "Feature directorial debut by Gina Prince-Bythewood following boy and girl pursuing basketball careers while developing mutual affection, praised as refreshing rom-com approach."
    },
    "12 Years a Slave": {
        "year": 2013,
        "description": "Best Picture Oscar winner offering raw, visceral look at Louisiana plantation slavery based on Solomon Northup's 1853 memoir of kidnapping and 12-year enslavement."
    },
    "20 Feet from Stardom": {
        "year": 2013,
        "description": "Oscar-winning documentary by Morgan Neville featuring interviews with prominent backup singers whose essential musical contributions remain unrecognized in shadows."
    },
}